The difference between tracks written by Amy and those by Emily is more evident than on earlier works. They recombined with the producer of ‘ Come On Now Social’, resulting in album with a mixture of trademark folk and funkier, guitar-driven tracks. Not a bad effort given they are thirty years into a career and surely an indication that there may still be more to come. It seems fair to say that the Indigo Girls have a specific sweet spot that may not suit everyone but clearly works for many people given their success and longevity. The Indigo Girls have remained true to their sound throughout and their songwriting is consistent over an impressive 30 plus years, but they have not managed to attain the same heights that they positively owned in the early nineties. This opportunity to compile a top 10 albums list was a great excuse to catch up with the entire back catalogue. In particular a tape of ‘ Nomads Indians Saints’ occupied a regular slot on the living room hi-fi of our shared house and remains indelibly hard-wired to this day. ![]() It was around 1990 that I first heard them – their exceptional harmonies and emotive songwriting readily differentiated them from most other bands within the folk-rock genre. It was the release of their second album ‘ Indigo Girls’ which launched them into the public recognition and set them onto a path which resulted in a string of albums through the early nineties where they could apparently do no wrong. ![]() Amy Ray and Emily Saliers first performed together in high school, but they only named themselves the Indigo Girls in 1985 and released their first album ‘ Strange Fire’ in 1987.
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